I work in the quiet space between the digital and the real — using image-making, scanning, projection, and compositing to capture the subtle glimmers that slip past ordinary sight.

Within mixed reality and digital visual practice, I explore how space can hold “memory,” how objects can grow a “second skin,” and how technology can become a hidden narrative language. Projects I have contributed to often drift along the boundary of the real and the imagined: from reconstructing spatial textures through scanning, to extending an emotion, a fleeting moment, or an unspoken story through light and shadow.

I believe that visuals are not simply seen — they are activated. My work often takes technology as an entry point and perception as its exit, inviting viewers to encounter the unfamiliar within seemingly familiar media.